All Karl Briullov's oil paintings
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ID Image  Oil Pantings, Sorted from A to Z     Other Information
39567  
Karl Briullov, The Moor of Peter the Great taking Leave of the countess
  		The Moor of Peter the Great taking Leave of the countess mk149 1847-49 Watercolour and black chalk Heightened with bronze,on paper 23.7x25.9cm
39540  
Karl Briullov, The Murder of Prince andrew of Hungary by order of giovanna of naples
  		The Murder of Prince andrew of Hungary by order of giovanna of naples mk149 1835 Watercolour on paper pasted on cardboard,heightened with white and varnish 35.5x25.8cm
39499  
Karl Briullov, The Siege of Pskov by the troops of stephen batory,King of Poland
  		The Siege of Pskov by the troops of stephen batory,King of Poland mk149 1839-43 Oil on canvas 482x675cm
39496  
Karl Briullov, The Temple of Apollo Epkourios at Phigalia
  		The Temple of Apollo Epkourios at Phigalia mk149 1835 Watercolour on paper 23x29cm
39570  
Karl Briullov, Two ladies on the balcony and a horseman
  		Two ladies on the balcony and a horseman mk149 1847-49 Sepia on paper 26.5x23cm
39532  
Karl Briullov, Vaulter
  		Vaulter mk149 1829 Oil on canvas 43x30cm
39541  
Karl Briullov, View of the Island of Madeira
  		View of the Island of Madeira mk149 1849 Watercolour on paper 19.9x24.6cm
39530  
Karl Briullov, Young Girl Gathering Grapes in the Neighbourhood of Naples
  		Young Girl Gathering Grapes in the Neighbourhood of Naples mk149 1827 Oil on canvas 62x52.5cm
49132  
Karl Briullov, Young Girls Gathering Grapes near Naples
  		Young Girls Gathering Grapes near Naples mk193 1827 Oil on canvas 62x52.5cm
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Karl Briullov
Russian Neoclassical/Romantic Painter, 1799-1852,was an internationally renowned Russian painter. He is regarded as a key figure in transition from the Russian neoclassicism to romanticism. Born of French parents in Saint Petersburg, Carlo Brulleau (as his name was spelled until 1822) felt drawn to Italy from his early years. Despite his education at the Imperial Academy of Arts (1809?C1821), Briullov never fully embraced the classical style taught by his mentors and promoted by his brother, Alexander Briullov. After distinguishing himself as a promising and imaginative student and finishing his education, he left Russia for Rome where he worked until 1835 as a portraitist and genre painter, though his fame as an artist came when he began doing historical painting. His best-known work, The Last Day of Pompeii (1830?C1833), is a vast composition compared by Pushkin and Gogol to the best works of Rubens and Van Dyck. It created a sensation in Italy and established Briullov as one of the finest European painters of his day. After completing this work, he triumphantly returned to the Russian capital, where he made many friends among the aristocracy and intellectual elite and obtained a high post in the Imperial Academy of Arts.



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